Cinema
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Gothic Horror Films, Hauntings, Dark Spaces and Specters
A consideration of the film trajectories taken by Gothic cinema, including an overview of some of the most influential films…
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“Madmen Know Nothing!” The Gothic Transgression and Madness
The haunting, and the ghosts themselves, which in gothic texts are often portrayed in a manner that creates mystery and…
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‘Night of the Living Dead’: Re-evaluating the Undead Classic
The release in 2004 of Zack Snyder’s remake of George A. Romero’s ‘Dawn of the Dead’ (1978) attests to the…
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Fictionalisations of Mary Wollstonecraft Shelley in Film
While there are many studies of specific adaptations of Shelley, very few have focused on the overall impression her fictional…
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Realistic Horror: Film Noir and the 1940s Horror Cycle
While the thriller and the horror film are commonly seen as quite separate categories today, they were virtually indistinguishable terms…
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Through Gore Generations and the Horrific Cult Films
One curious characteristic of books about horror films is that they tend to end pessimistically, either by prophesying the impending…
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Gothic Horror Film Trajectories, from 1960 to Present
A consideration of the filmic trajectories taken by Gothic cinema since Hitchcock’s ‘Psycho’ (1960), including an overview of some of…
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Love Your Zombie in Horror, Ethics, Excess and Paradise
Love your zombie is not an injunction to find some good-looking walking corpse and form a deep emotional and physical…
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Suffering in Rhythm: The ‘Haunting Melody’ in Film Noir
The trope of the ‘haunting melody’ recurs in film noir of the classic era (1940-1959)
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Telling Scary Stories: “Cannot Sleep, Clowns Will Eat Me”
Among the earliest forms of human self-awareness was the awareness of being meat
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Femmes Fatales and Film Noir’s ‘Zeitgeist’ in the 1940s
Film noir has been one of the most debated, most discussed and most contested terms in studies of film history…
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The Female Spectator as an Object in the Horror Cinema
The horror film offers a particularly interesting example of this punishment in the woman’s terrified look at the horrible body…











