All ideas are fundamental in understanding Lovecraft’s approach to writing fiction, and how his fiction subverted popular narrative presentation through a thematic exploration of monstrosity and cosmic horror
It has been nearly two hundred years since the publication of Mary Shelley’s Gothic novel ‘Frankenstein’, and since the birth of her infamous monster
We are all familiar with these words from ‘The Devil’s Foot,’ words that as easily could have been written by H. P. Lovecraft as by John H. Watson
The Gothic is frequently identified with two obsessions: a concern with otherness and alterity, and a compulsion to explore socially aberrant desires and transgress boundaries
Considering Frankenstein as an example of “the Female Gothic,” she argues that the novel was shaped by Mary Shelley’s experience of womanhood — and especially of childbirth
This article investigates the allure of narrative genres, such as horror, that have historically been viewed as philosophically problematic owing to their harmful content and the painful emotional response
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