Comics
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Top Cow Reawakens ‘Death Vigil’ for a Six-Issue Arc
Stjepan Šejić writes and paints the cosmic-horror series’ second arc for Image Comics and Top Cow, 11 years after the…
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IDW Dark Drops Dracula Into ‘Operation: Iron Coffin’
Porter and Cannon turn the newly revived Count into a WWII weapon against a Nazi vampire plague in IDW Dark’s…
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Dark Horse Sends the Chupacabra Into ‘Beast of Borikén’
Julio Anta and Daniel Irizarri reframe Latin America’s youngest monster as an ancient island protector in a five-issue folk-horror series…
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Skybound Sends ‘Blood of the Wolf Man’ into the Seventies
Skybound adds The Wolf Man to its Universal Monsters comics line in a four-issue werewolf horror story relocated to a…
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‘Hellraiser: Resurrections’ Opens Five Doors at BOOM!
BOOM! Studios returns to Clive Barker’s Cenobite mythology with five weekly one-shots in September, launching a new Hellraiser publishing era.
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‘Koshchei the Deathless’ Omnibus Closes the Cycle
Dark Horse Comics gathers the complete Koshchei saga—folk horror, post-apocalyptic myth, and Witchfinder legacy—in one hardcover.
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‘Cathedral’ Is John Carpenter’s First Original Graphic Novel
John Carpenter’s first original graphic novel ‘Cathedral’ brings supernatural horror and a companion album to Storm King Comics in August…
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‘Of the Earth’ Brings Eco-Horror Back to Image Comics
Image Comics rushes ‘Of the Earth’ #1 to a second printing as Charlie Adlard’s eco-horror return to single issues sells…
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Vault Comics’ ‘Excommunicated’ Puts Theology at the Root
‘Excommunicated’ #1 opens Jeremy Robinson’s supernatural horror series at Vault Comics, casting out a nun and a demon that neither…
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Image Comics’ ‘Odin’ #1 Plunges Into Norse Folk Horror
With all nine scripts complete before publication, ‘Odin’ #1 opens a nine-issue folk horror series that treats Norse mythology as…
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When the Page Goes Dark in ‘Uri Tupka and the Devils’
Mike Mignola’s third ‘Lands Unknown’ graphic novel arrives November, sending a heretic theologian into a castle of devils to discover…
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‘Universal Monsters: The Phantom of the Opera’ Kills First
Boss and Simmonds’ Impressionist approach to Gaston Leroux’s Phantom reveals a murderous ghost story underneath the romantic myth.
