Shifting in and out of the public eye ever since its original appearance in the 1980s, Goth subculture, music and aesthetics in their impressive variety have become a prominent established element in global media, art and culture
This study of blackness is meant to lead the reader into the complexity of the texture that is black, as it relates to the ideas of emptiness/interdependence, ideas that have resonance in the artwork of Ad Reinhardt, and Fred Sandback
Goth subculture is a relatively underexplored topic in academia despite its continuing longevity and distinct sartorial style characterized by themes of the macabre, images associated with femininity, and an overwhelming emphasis on the colour black
Goth subculture is theologically fascinating as a form of cultural expression which co-opts religious language and iconography to engage existential themes of darkness, suffering, and death
While precise origins are hard to trace, it is clear that non-subcultural record labels, distributors and retailers played a significant role in the goth scene right from its beginnings
Goth entrepreneurs can run a serious business within their framework but cannot be seen as part of the creative class because creative class combines work and a way of life
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