Music transcends across countries, continents, cultures, and language barriers, and cuts right to the heart and soul of people, and no matter what genre of music someone connects to, the fact is that there is that connection
From Slayer’s ‘Angel of Death’ in the 1980’s to the Norwegian black metal scene in the 1990’s to the current strain of National Socialist Black Metal on extreme politics have played a role in extreme metal either aesthetically or ideologically
Black metal’s nationalistic racism can be seen as an “extreme” reflection of the xenophobia and cultural nationalism proliferating throughout Norwegian society and of the “everyday” racisms these attitudes engender
In 1995, Chuck Schuldiner, an animal-lover with a habit of wearing a shirt decorated with kittens during interviews, lamented that he had never really intended to create the genre known as Death Metal
Since those opposing Satanism have been beguiled by the horror stories promoted in popular culture and have been less inclined actually to study Satanism, they have created a particular image of Satanism that is often at odds with the reality
Satanism has been openly professed while blending traditional demonological fantasies with horror fiction while putting the demonic out in the open
Although there certainly exist some Death Metal songs, and parts of songs, which exhibit what might be considered comparatively moderate or slow tempos, Death Metal is predominantly an extremely fast and aggressive style of music
This article investigates the association of heavy metal music with Satanism and the occult, tracing its lineage from American blues to the British Blues Boom of the 1960s to the beginnings of heavy metal in the late 1960s to the New Wave of British Heavy Metal that emerged in the 1970s
This article address black metal as a strange form of environmental writing that “blackens” or addresses a “blackened” cosmos, responding to the conjuration of a new word and concept that conjoins “black” and “ecology”: melancology
Heavy Metal is a specific, alternative music genre that exists on the fringe of popular music, where its own culture classifies it: musical style, fashion, philosophy, symbolic language and political activism
The primary focus of this article is to correlate the traditional folk music from different countries around the world to contemporary folk metal bands, to substantiate a link between historical, cultural heritage to the progressive qualities of bands in the sub-genre of folk metal
This article explores the connections between black metal and the transgressions of this music subculture, with masking at the intersection between the two
Extreme metal explores many different stories, myths, and symbols in expressing the particular aesthetic experience of defilement
This article examines extreme metal bands that became legendary in Edmonton and was well known across Canada for their atypical technicality and ferocious genuinity
Depressive Suicidal Black Metal, a subculture primarily focused around death, with its own particular set of symbols, meanings, and music relating to death
Aiming to represent independent critical voices in an authentic and supportive manner, our creative graphic and development studio promises soon to push the limits of both artistic and academic publishing.
We already create outstanding, award-winning memorable visual experiences mixed with top-notch content in a very meticulous way following tight provisional timelines. The flexibility we will provide will display how genuine is our interest innovatively and creatively, unlike any other.
Mushroomhead - ‘Carry On’ song from the ‘A Wonderful Life’ CD
Ludovico Technique - ‘Burn Everything’ song from the ‘Burn Everything’ EP
Rivers of Nihil - ‘The Void from Which No Sound Escapes’ song from ‘The Work’ CD
Be’lakor - ‘Foothold’ song from the ‘Coherence’ CD
Archspire - ‘Drone Corpse Aviator’ song from the ‘Bleed the Future’ CD
Lock Up - ‘Dark Force Of Conviction’ song from the ‘The Dregs Of Hades’ CD
Shadow of Intent - ‘Barren and Breathless Macrocosm’ song from the ‘Melancholy’ CD
Pathology - ‘As The Entrails Wither’ son from ‘The Everlasting Plague’ CD
Apostolica - ‘Sanctus Spiritus’ song from the ‘Sanctus Spiritus’ CD
Carcass - ‘The Scythe’s Remorseless Swing’ song from the ‘Torn Arteries’ CD
Whitechapel - ‘A Bloodsoaked Symphony’ song from the ‘Kin’ CD
Cradle of Filth - ‘Necromantic Fantasies‘ song from the ‘Resistence is Futile‘ CD
ST. Aurora - ‘Falling (Just Another Way to Fly)’ song from the ‘They All Remember’ EP
Volbeat - ‘Shotgun Blues’ song from the ‘Servant of the Mind’ CD
Lions At The Gate - ‘Scapegoat’ song from the ‘Scapegoat’ EP
Emigrate - ‘Freeze My Mind’ song from ‘The Persistence Of Memory’ CD
Ministry - ‘Disinformation’ song from the ‘Moral Hygiene’ CD
Trivium - ‘The Phalanx’ song from the ‘In the Court of the Dragon’ CD
Hypocrisy - ‘Dead World’ song from the ‘Wordship’ CD
