First, we must look at the true origins of witchcraft, those hidden in the mists of time. This is a subject that has been written

What follows from this decoupling of monstrosity from appearance is a significant cultural shift that aligns monstrosity not with a physical difference, but with antithetical moral values

This article examines the capacity for love and kindness attributed to demons as fallen angels in the thirteenth-century

Hauntology is thus related to, and represents a new aspect of, the ethical turn of deconstruction which has been palpable for at least two decades, and it has nothing to do with whether or not one believes in ghosts

An immense mass of verbiage has gathered around the Sacred Science since Mme Blavatsky drew back the curtain of occultism.

The occult art object, as an interface for, and as a producer of, varied sensation is the aesthetic object par excellence.