Perhaps the most celebrated recent intervention into the field of history, gender, and the Gothic is Joan Copjec’s ‘Read My Desire’ (2015), especially the chapter ‘Vampires, Breast-Feeding, and Anxiety’
Le Fanu colors Laura’s sexual exploration with Gothic convention and vampirism, and in so doing, reinforces the close relationship that exists between the Gothic and the queer, a relationship that evokes from both Laura and the reader sensations of “fear” alongside “strange tumultuous excitement”
Portrayals of vampire women have changed very little from the nineteenth- to the twentieth-first-century, as is especially evident in the characterisations of the vampire women in ‘Dracula’ and J. Sheridan Le Fanu’s eponymous ‘Carmilla’ (1872) in recent adaptations
Bradbury’s favourite work of fiction, and the one that best exemplifies both the gothic and the carnivalesque qualities of his imagination, is ‘Something Wicked This Way Comes’ (1962)
Mary Shelley conceived her creature at the height of the literary and philosophical period called Romanticism, and Frankenstein became the spirit of the wild, the rough, and the innocent
Sylvia Plath gives us something worse than the ice-cold, unsmiling, lurking, grim reaper
One of the developments in the representation of witchcraft at the end of the twentieth-century is that the portrayal of witch-hunters moves from approbation to repulsion
This article reflects upon the fact that studies related to witchcraft have been limited to a period of about one hundred and sixty years in English history
For three decades, most historians familiar with the medium have recognized that American comic books have matured beyond their humble beginnings as a monthly publication for children
Neil Gaiman is an author of fantasy and horror fiction, who has written many books for adults, young adults, and one of his titles for children’s books is ‘The Graveyard Book’
This article is an attempt to develop a theoretical basis by reading popular novels in conversation with the body of scholarship on Victorian gothic literature
Raygun Gothic, and a subgenre, Raypunk are instantly enthralled by the mixture of vintage imagery with sci-fi, and as such, which I want to explore further.
Young adult literature is rife with exceptional examples of texts that defy genre; many graphic novels are excellent young adult literature, too, of course; therefore, we should not be surprised that the graphic novel is part of the death of genre discussion.
As a literary phenomenon, the Victorian gothic manifests itself in fin-de-siècle literature both as a subversive supernatural force and as a mechanism for social critique.
Gothicism in the early Gothic novels in the late 1700s and very early 1800s is no longer given a primary role in the Realist novel, as the unreality and supernaturalism of the early Gothic novel is not conducive to the emerging focus on the real.
Aiming to represent independent critical voices in an authentic and supportive manner, our creative graphic and development studio promises soon to push the limits of both artistic and academic publishing.
We already create outstanding, award-winning memorable visual experiences mixed with top-notch content in a very meticulous way following tight provisional timelines. The flexibility we will provide will display how genuine is our interest innovatively and creatively, unlike any other.
Extinction In Progress - ‘Feasting Upon A False God’ song from the ‘Shades Of Pale’ CD
Gomorran - ‘Hopeless Endeavor’ song from the ‘Excerpts From the Dark Age’ CD
Pathology - ‘Dirge For The Infected’ song from the ‘The Everlasting Plague’ CD
Crowen - ‘Exosus’ song from the ‘Prophecy’ EP
Scars of Solitude - ‘Left On Read’ song from the ‘If These Walls Could Talk’ CD
Elkapath - ‘Dirty Whore Mouth’ song from the ‘Black Spiders’ CD
Re-Armed - ‘As the Stars Align’ song from the ‘XX’ EP
Stellar Void - ‘Shifting Sands’ song from the ‘Chrysalis’ EP
Wolftopia - ‘Wash the Spears’ song from the ‘Ways of the Pack’ CD
Alase - 'Unburden' song from the 'Unburden' EP
Mushroomhead - ‘Carry On’ song from the ‘A Wonderful Life’ CD
Ludovico Technique - ‘Burn Everything’ song from the ‘Burn Everything’ EP
Rivers of Nihil - ‘The Void from Which No Sound Escapes’ song from ‘The Work’ CD
Be’lakor - ‘Foothold’ song from the ‘Coherence’ CD
Archspire - ‘Drone Corpse Aviator’ song from the ‘Bleed the Future’ CD
Lock Up - ‘Dark Force Of Conviction’ song from the ‘The Dregs Of Hades’ CD
Shadow of Intent - ‘Barren and Breathless Macrocosm’ song from the ‘Melancholy’ CD
Pathology - ‘As The Entrails Wither’ son from ‘The Everlasting Plague’ CD
Apostolica - ‘Sanctus Spiritus’ song from the ‘Sanctus Spiritus’ CD
Carcass - ‘The Scythe’s Remorseless Swing’ song from the ‘Torn Arteries’ CD
Whitechapel - ‘A Bloodsoaked Symphony’ song from the ‘Kin’ CD
Cradle of Filth - ‘Necromantic Fantasies‘ song from the ‘Resistence is Futile‘ CD
ST. Aurora - ‘Falling (Just Another Way to Fly)’ song from the ‘They All Remember’ EP
Lions At The Gate - ‘Scapegoat’ song from the ‘Scapegoat’ EP
Emigrate - ‘Freeze My Mind’ song from ‘The Persistence Of Memory’ CD
Ministry - ‘Disinformation’ song from the ‘Moral Hygiene’ CD
Trivium - ‘The Phalanx’ song from the ‘In the Court of the Dragon’ CD
Hypocrisy - ‘Dead World’ song from the ‘Wordship’ CD
