Goth subculture is theologically fascinating as a form of cultural expression which co-opts religious language and iconography to engage existential themes of darkness, suffering, and death
While precise origins are hard to trace, it is clear that non-subcultural record labels, distributors and retailers played a significant role in the goth scene right from its beginnings
In this article, we investigate permanence through exploring tattoo consumption in terms of the social-historical context of being tattooed
Goth entrepreneurs can run a serious business within their framework but cannot be seen as part of the creative class because creative class combines work and a way of life
Though Sedgwick nods towards lesbian literary history in this passage, she underplays its important status in her discussion of homosexual panic
Steampunk’s growing popularity in books, film, games, fashion, and décor, has only exacerbated the problem, as the term has evolved from a literary subgenre of Science Fiction.
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