10 years of fearless education
Satanism has been openly professed while blending traditional demonological fantasies with horror fiction while putting the demonic out in the open
Although there certainly exist some Death Metal songs, and parts of songs, which exhibit what might be considered comparatively moderate or slow tempos, Death Metal is predominantly an extremely fast and aggressive style of music
Max Adams, looks at the art of John Martin and how in his epic landscapes of apocalyptic scale one can see reflected his revolutionary leanings
The Chamber of Horrors was one of the attractions at Madame Tussauds in London, being an exhibition of waxworks of notorious murderers
Powerful expressions of faith, hope and love are manifested in brilliant colours that characterise the Luca della Robbia glazed terracotta
To cast the magnificence, the complexity that the realm of earth can hold, artists of the odd and strange gathered to make a collective exhibition called Terra Tenebrosa at Sin Espacio gallery in Cali
This is a book review of ‘Horror Film: A Critical Introduction’ by Murray Leeder, a comprehensive yet concise introductory guide to horror cinema
‘Horror: A Literary History’, edited by Xavier Aldana Reyes, is divided into seven chapters which function as separate essays that can be read without having specific knowledge about the horror genre
One of the goals of European Nightmares is to oppose to the “old” Eurohorror label with a more open and ductile concept that takes into account European-Hollywood co-production
The first day of Festival Rock al Parque came as a punch in your face full of extreme sounds and mosh pits
Despite the unworthy contention caused by overall attendees, musicians and media press, Colombian festivals such as Festival Rock al Parque
Festival del Diablo III triumphantly inaugurated with an intimate concert, Apocalyptica, which also marked the festival’s first documentary ever filmed
We endeavour to print graphic novels for thought readers, those who prefer to challenge their minds, who have a sophisticated understanding of both visual arts and literary, cultural concepts, but ultimately, readers that sincerely appreciate personal expression unfettered by uncritical use of cliché with an ongoing commitment to high-quality printed storylines, in a bold format.
14. International Competition for Cultural Arts
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