Greatest Viking History
Satanism has been openly professed while blending traditional demonological fantasies with horror fiction while putting the demonic out in the open
Although there certainly exist some Death Metal songs, and parts of songs, which exhibit what might be considered comparatively moderate or slow tempos, Death Metal is predominantly an extremely fast and aggressive style of music
Since those opposing Satanism have been beguiled by the horror stories promoted in popular culture and have been less inclined actually to study Satanism, they have created a particular image of Satanism that is often at odds with the reality
This article investigates the association of heavy metal music with Satanism and the occult, tracing its lineage from American blues to the British Blues Boom of the 1960s to the beginnings of heavy metal in the late 1960s to the New Wave of British Heavy Metal that emerged in the 1970s
The primary focus of this article is to correlate the traditional folk music from different countries around the world to contemporary folk metal bands, to substantiate a link between historical, cultural heritage to the progressive qualities of bands in the sub-genre of folk metal
Heavy Metal is a specific, alternative music genre that exists on the fringe of popular music, where its own culture classifies it: musical style, fashion, philosophy, symbolic language and political activism
In 1995, Chuck Schuldiner, an animal-lover with a habit of wearing a shirt decorated with kittens during interviews, lamented that he had never really intended to create the genre known as Death Metal
Gothic grotesque has become so pervasive precisely because it is so apposite to the representation of contemporary concerns.
Max Adams, looks at the art of John Martin and how in his epic landscapes of apocalyptic scale one can see reflected his revolutionary leanings.
The Chamber of Horrors was one of the attractions at Madame Tussauds in London, being an exhibition of waxworks of notorious murderers.
Powerful expressions of faith, hope and love are manifested in brilliant colours that characterise the Luca della Robbia glazed terracotta
‘Horror: A Literary History’, edited by Xavier Aldana Reyes, is divided into seven chapters which function as separate essays that can be read without having specific knowledge about the horror genre
One of the goals of European Nightmares is to oppose to the “old” Eurohorror label with a more open and ductile concept that takes into account European-Hollywood co-production.
Sarah Burns’s book, ‘Painting the Dark Side’, aims to overturn what we think we know about nineteenth-century American art.
The first day of Festival Rock al Parque came as a punch in your face full of extreme sounds and mosh pits.
Despite the unworthy contention caused by overall attendees, musicians and media press, Colombian festivals such as Festival Rock al Parque
Festival del Diablo III triumphantly inaugurated with an intimate concert, Apocalyptica, which also marked the festival’s first documentary ever filmed.
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14. International Competition for Cultural Arts
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