10 years of fearless education
This article investigates the association of heavy metal music with Satanism and the occult, tracing its lineage from American blues to the British Blues Boom of the 1960s to the beginnings of heavy metal in the late 1960s to the New Wave of British Heavy Metal that emerged in the 1970s
Satanism has been openly professed while blending traditional demonological fantasies with horror fiction while putting the demonic out in the open
Gothic grotesque has become so pervasive precisely because it is so apposite to the representation of contemporary concerns.
Max Adams, looks at the art of John Martin and how in his epic landscapes of apocalyptic scale one can see reflected his revolutionary leanings
The Chamber of Horrors was one of the attractions at Madame Tussauds in London, being an exhibition of waxworks of notorious murderers
Powerful expressions of faith, hope and love are manifested in brilliant colours that characterise the Luca della Robbia glazed terracotta
This is a book review of ‘Horror Film: A Critical Introduction’ by Murray Leeder, a comprehensive yet concise introductory guide to horror cinema
‘Horror: A Literary History’, edited by Xavier Aldana Reyes, is divided into seven chapters which function as separate essays that can be read without having specific knowledge about the horror genre
One of the goals of European Nightmares is to oppose to the “old” Eurohorror label with a more open and ductile concept that takes into account European-Hollywood co-production
The first day of Festival Rock al Parque came as a punch in your face full of extreme sounds and mosh pits
Despite the unworthy contention caused by overall attendees, musicians and media press, Colombian festivals such as Festival Rock al Parque
Festival del Diablo III triumphantly inaugurated with an intimate concert, Apocalyptica, which also marked the festival’s first documentary ever filmed
We endeavour to print graphic novels for thought readers, those who prefer to challenge their minds, who have a sophisticated understanding of both visual arts and literary, cultural concepts, but ultimately, readers that sincerely appreciate personal expression unfettered by uncritical use of cliché with an ongoing commitment to high-quality printed storylines, in a bold format.
14. International Competition for Cultural Arts
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