Victorian Infanticide’s Nature
Cradle of Filth has certainly received considerable commercial and critical success, but one area neglected by commentators is the essentially satirical and ironic tone underpinning their work.
This article address black metal as a strange form of environmental writing that “blackens” or addresses a “blackened” cosmos, responding to the conjuration of a new word and concept that conjoins “black” and “ecology”: melancology
In the Alianza Francesa Gallery, in the city of Cali, Colombia, it is being exhibited a work that is set as an alternative to the art that the city is used to see, ‘Rare Book’ by Edwin Erazo
- Carach Angren – ‘Where the Corpses Sink Forever’ CD
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‘Horror: A Literary History’, edited by Xavier Aldana Reyes, is divided into seven chapters which function as separate essays that can be read without having specific knowledge about the horror genre
In 2018, the 3rd edition of the festival closed. They got around 2000 proposals, from which 175 were shown, among video clips, music-related documentaries and fashion and dance films
One of the developments in the representation of witchcraft at the end of the twentieth-century is that the portrayal of witch-hunters moves from approbation to repulsion
Victorian culture is often lampooned for its obstinate, reckless progressivism, its racist insistence on the benignity of Western culture, but there is apocalyptic Gothic aplenty to be found in its cultural artefacts
One of the goals of European Nightmares is to oppose to the “old” Eurohorror label with a more open and ductile concept that takes into account European-Hollywood co-production.
Sarah Burns’s book, ‘Painting the Dark Side’, aims to overturn what we think we know about nineteenth-century American art.
In this ambitious and comprehensive tome, ‘Dangerous Bodies’ engages with the Gothic’s obsession with the corporeal.
The first day of Festival Rock al Parque came as a punch in your face full of extreme sounds and mosh pits.
Despite the unworthy contention caused by overall attendees, musicians and media press, Colombian festivals such as Festival Rock al Parque
Festival del Diablo III triumphantly inaugurated with an intimate concert, Apocalyptica, which also marked the festival’s first documentary ever filmed.
Educating the future with the past, today
other wicked studies
The latest incarnation of the vampire — in the conspiracy theories of David Icke — reveals the critical, revolutionary heart of the vampire legend. Discourse on the vampire appears above all to provide a structure of dissent, a metaphorical means of representing and soliciting critiques of the social order.
The Anunnaki form of the vampire — in its immersion in the constellation of contemporary conspiracy theories, in its reflection on global capitalism, and in its blurring of historical and fictional narratives — has moved this structure of dissent from the cloak of darkness to the light of day.
The Anunnaki, whose name is Sumerian, meaning “[t]hose who from Heaven to Earth Came” (Icke 5), refer to a reptilian race that originated from the legendary planet known as Nibiru (Planet X), or the place of the crossing, which has a 3,600 year elliptical orbit that takes it between Jupiter and Mars and then out into space.
The Dark Tourism Phenomenon
The most haunting places to visit in Europe
Europe has several locations noteworthy of a reliable overview of the eerie, and wicked that lurks through haunted forests to bone churches and torture museums and beyond
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