Greatest Viking History
Corpsepaint Towards the Re-Occultation of Black Metal Blood
This article address black metal as a strange form of environmental writing that “blackens” or addresses a “blackened” cosmos, responding to the conjuration of a new word and concept that conjoins “black” and “ecology”: melancology
Black Metal Traditional Connection with LaVeyan Satanism
Since those opposing Satanism have been beguiled by the horror stories promoted in popular culture and have been less inclined actually to study Satanism, they have created a particular image of Satanism that is often at odds with the reality
Extreme Death Metal as Purveyors of Modern Escapism
Although there certainly exist some Death Metal songs, and parts of songs, which exhibit what might be considered comparatively moderate or slow tempos, Death Metal is predominantly an extremely fast and aggressive style of music
Demons, Devils and Witches: The Occult in Heavy Metal Music
This article investigates the association of heavy metal music with Satanism and the occult, tracing its lineage from American blues to the British Blues Boom of the 1960s to the beginnings of heavy metal in the late 1960s to the New Wave of British Heavy Metal that emerged in the 1970s
History of Traditional Folk Metal and the Circle of Influence
The primary focus of this article is to correlate the traditional folk music from different countries around the world to contemporary folk metal bands, to substantiate a link between historical, cultural heritage to the progressive qualities of bands in the sub-genre of folk metal
Widespread “Satanism” in Black Metal and its Demons
Satanism has been openly professed while blending traditional demonological fantasies with horror fiction while putting the demonic out in the open
Conceiving Death Metal While Confronting the Human Animal
In 1995, Chuck Schuldiner, an animal-lover with a habit of wearing a shirt decorated with kittens during interviews, lamented that he had never really intended to create the genre known as Death Metal
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Contemporary Gothic: The Grotesque and Artificial Corpses
Gothic grotesque has become so pervasive precisely because it is so apposite to the representation of contemporary concerns.
John Martin and the Promethean Theatre of Subversion
Max Adams, looks at the art of John Martin and how in his epic landscapes of apocalyptic scale one can see reflected his revolutionary leanings.
The Madame Tussaud’s Notorious Chamber of Horrors
The Chamber of Horrors was one of the attractions at Madame Tussauds in London, being an exhibition of waxworks of notorious murderers.
Boston’s Museum of Fine Arts exhibits Della Robbia sculptures
Powerful expressions of faith, hope and love are manifested in brilliant colours that characterise the Luca della Robbia glazed terracotta
Rediscovering Horror: From Graveyard Poetry to Popular Culture
‘Horror: A Literary History’, edited by Xavier Aldana Reyes, is divided into seven chapters which function as separate essays that can be read without having specific knowledge about the horror genre
European Nightmares: The Horror Cinema in Europe Since 1945
One of the goals of European Nightmares is to oppose to the “old” Eurohorror label with a more open and ductile concept that takes into account European-Hollywood co-production.
Sarah Burns’s ‘Painting the Dark Side’: Art and the Gothic
Sarah Burns’s book, ‘Painting the Dark Side’, aims to overturn what we think we know about nineteenth-century American art.
Festival Rock al Parque Opening Taken to the Extreme
The first day of Festival Rock al Parque came as a punch in your face full of extreme sounds and mosh pits.
Dark Tranquillity Memorable Performance at Festival Rock al Parque
Despite the unworthy contention caused by overall attendees, musicians and media press, Colombian festivals such as Festival Rock al Parque
Apocalyptica Performance Opens Festival Del Diablo III
Festival del Diablo III triumphantly inaugurated with an intimate concert, Apocalyptica, which also marked the festival’s first documentary ever filmed.
Creating dark experiences in Colombia
for Publishing
We endeavour to print graphic novels for thought readers, those who prefer to challenge their minds, who have a sophisticated understanding of both visual arts and literary, cultural concepts, but ultimately, readers that sincerely appreciate personal expression unfettered by uncritical use of cliché with an ongoing commitment to high-quality printed storylines, in a bold format.
14. International Competition for Cultural Arts
Join with us to help celebrate one decade of existence with the awards and events premiere.
Every facet of daily life is aligned to nurture, health, harmony, and spiritual growth and provides a complete experiential education in holistic living.
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