World Gothic Day, celebrated on May 22nd each year, represents a unique occasion that transcends geographical boundaries to commemorate the vibrant and intriguing Gothic subculture. Emerging during the twilight of the 1970s in the United Kingdom, this subculture has made its presence known across the globe, culminating in the establishment of a dedicated day to honor its distinctive ethos.
Welcome back to GothBleak, my beloved readers! After a period of inactivity, I am excited to return and bring you the latest updates on all things gothic fashion and jewelry, and the novelty is that we have revamped this blog with a new purple color scheme to enhance the gothic subculture aura, and I promise to provide regular, engaging content for all my readers.
In a field of study as well-established as the Gothic, it is surprising how much contention there is over precisely what that term refers to. Is Gothic a genre, for example, or a mode? Should it be only applicable to literary and film texts that deal with tropes of haunting and trauma set in a gloomy atmosphere, or might it meaningfully be applied to other cultural forms of production, such as music or animation? Can television shows aimed at children be considered Gothic? What about food? When is something “Gothic” and when is it “horror”? Is there even a difference?
While lesser examples of the genre use stock scenarios like haunted houses, misty graveyards, and god-forsaken rock outcroppings, most of the finest pieces of horror writing explore the expression of place in highly specific and deeply innovative ways. Sometimes this engagement with place, as in the work of China Tom Miéville, involves the invention of new and weird topographies, while for other writers, the places described are known regions and even seemingly familiar locales.