Supreme Void: ‘Towards Oblivion’ Marks a Fierce New Chapter in Polish Death Metal

A newly emerged name from Poland’s underground metal scene, Supreme Void has taken a decisive stride into the genre’s upper echelon with ‘Towards Oblivion,’ their first full-length album, released on April 25, 2025, via the French label Dolorem Records. In a climate saturated with extreme metal releases, the trio’s offering stands apart by pairing coldly calculated aggression with a finely tuned production sensibility, signaling their intent not to merely participate in the technical death metal resurgence, but to shape its contours. With its six tightly wound tracks clocking in at just under forty minutes, the album delivers a blistering, dissonant experience that both adheres to genre expectations and challenges them—leaning as much on rhythmic complexity and tonal abrasion as on percussive groove.

Arriving after years of refinement under a different name, and bolstered by Dolorem Records’ careful positioning, ‘Towards Oblivion’ has drawn immediate attention from niche reviewers and devoted listeners. Early coverage praises its “starter accessibility” for those curious about dissonant tech-death’s extremities, without diluting the band’s commitment to dark, suffocating atmospheres.

Released in both digital and CD formats, the album captures a transitional moment not just for the band, but for a regional scene increasingly recognized for its output in black, death, and avant-garde metal. In Supreme Void’s case, what began in relative obscurity as a side project now reads as a bold and confident artistic statement—rooted in Polish heaviness, but sharpened for an international audience.

From Depravity to Supreme Void

Formed in Poland in 2016 under the name Depravity, Supreme Void traces its origins to the cities of Szczecin and Warsaw, where its founding members sought to carve a distinct path within the country’s dense extreme metal scene. Early on, the group positioned itself within the technical death metal tradition, developing a reputation for crafting dense, complex compositions rooted in dissonance and intensity. Their initial years, though largely under the radar, were marked by a meticulous honing of style that eventually led to a pivotal rebranding.

In 2023, they adopted the name Supreme Void and released ‘End Of Games,’ an EP recorded two years earlier but strategically issued through Dolorem Records. That release helped solidify their standing in underground circles, praised for its dissonant, technically adept, and atmospherically dark approach that aligned them with both Poland’s longstanding death metal tradition and newer avant-garde tendencies.

The group’s core lineup comprises guitarist and vocalist Przemysław “Exile” Bachaj and drummer Łukasz “Cyklon” Wołodkiewicz, both of whom serve as the principal creative forces behind ‘Towards Oblivion.’ Early promotional materials and social media imagery also reference a second guitarist-vocalist, identified as “Ravager,” who featured prominently during the band’s transitional period. This dual-guitar structure, long a hallmark of traditional death metal, is leveraged by Supreme Void not for melodic layering but to amplify the dissonant, abrasive textures that define their sound.

While ‘End Of Games’ offered glimpses of a more melodic sensibility, their musical trajectory has since narrowed toward a rigorously technical and rhythmically relentless approach. On ‘Towards Oblivion,’ this evolution reaches its most focused form, revealing a band intent on refining—not merely expanding—the aggressive possibilities within their chosen genre.

Sound and Style on ‘Towards Oblivion’

On ‘Towards Oblivion,’ Supreme Void embraces the abrasive intricacies of technical death metal with a deliberate focus on rhythm, dissonance, and sheer intensity. The album unfolds as a tightly constructed sonic assault, rooted in mechanical precision yet layered with shifting tempos and dynamic transitions.

Reviewers have emphasized the album’s unrelenting intensity, noting guitar parts that strike with mechanical force, underpinned by forceful percussion and commanding, clearly enunciated vocals. Tracks like ‘Remnants Of Hope’ and ‘Eclipse Of The Exalted’ typify the band’s tightly wound blend of rapid-fire rhythm and weighty, groove-laden segments, punctuated by sharp, soaring solos. Elsewhere, pieces such as ‘Sustained By Malice’ momentarily reduce the pace, shifting into low-end-heavy sections that offer a measured contrast before the album resumes its full-on assault. The group’s own framing of ‘Towards Oblivion’ as a fusion of discordant riffing and brooding, avant-garde textures is borne out in these deliberate shifts in momentum and tone.

Supreme Void’s musical framework is anchored in a tradition defined by both precision and turbulence—a balance they cultivate through deliberate references to foundational acts such as Ulcerate, Gorguts, Redemptor, and Hate. These bands are emblematic of a subgenre that prioritizes structural complexity without sacrificing weight, where dissonance becomes not an accent, but a compositional engine. By citing these influences, Supreme Void positions itself within a continuum of artists who reject linearity in favor of fractured, often unpredictable arrangements that challenge the listener’s sense of orientation. This lineage has long blurred the lines between technicality and abstraction, and Supreme Void adopts this model with discipline rather than imitation. Their approach reframes chaos as a calculated aesthetic, using dense atmospheres and layered rhythmic shifts to evoke psychological unease rather than simply showcasing instrumental prowess.

In its slower, churning moments, the album even recalls shades of 1990s death metal giants such as Vital Remains and Morbid Angel. Yet throughout, the dominant tone remains modern and confrontational. ‘Towards Oblivion’ is, as one reviewer phrased it, “loud, fast, and in one’s face,” but it does not rely solely on velocity. The album’s strength lies in its command of contrast—between sharp rhythmic turns and oppressive atmosphere—crafted with clarity and purpose rather than indulgence.

Critical Reception: Praise and Critique

Early critical response to ‘Towards Oblivion’ has affirmed Supreme Void’s capacity to deliver a sonically punishing and technically proficient debut. Brutalism.com described the album as a strong entry point for listeners new to dissonant technical death metal, commending its clarity of production and the deliberate weight of its vocal and instrumental execution. The review emphasized the band’s ability to “crush the way a Death Metal album should,” highlighting a balance of aggression and refinement that sets the album apart within a genre often dominated by excess.

German outlet Ammo Underground echoed these sentiments, awarding the release a 7 out of 10 and noting its appeal to fans of dense, structured brutality. Both reviews pointed to the album’s cohesive riff work and high production standards as defining strengths, reinforcing the perception that Towards Oblivion arrives not as a tentative debut, but as a confident statement of purpose.

Yet, even among favorable reviews, there is acknowledgment of the album’s narrowly focused scope. Critics observed that the band’s commitment to relentless technicality occasionally comes at the expense of variation. Ammo Underground noted the absence of memorable melodic passages, suggesting that the album may challenge listener engagement over its full runtime. The site described Supreme Void’s approach as one that “avoids catchy riffs” in favor of continuous complexity—an aesthetic choice that may reward genre loyalists while limiting broader accessibility. Similarly, Brutalism remarked on the album’s uniform sonic intensity following its forceful opener, describing the experience as “abyssal and hopeless in its delivery”—not as a critique of execution, but of tonal dynamism. Despite these reservations, both sources concurred that the band’s debut is impressively realized, if decidedly tailored for a niche audience accustomed to the unforgiving intricacies of modern technical death metal.

Genre Placement and Significance

Supreme Void’s emergence through ‘Towards Oblivion’ situates the band within a dynamic and increasingly diverse strain of European extreme metal. Poland, long recognized for its contributions to blackened and death metal through acts such as Behemoth and Mgła, has recently witnessed a rising interest in more technical and dissonant variants of the genre. Supreme Void’s sound reflects this evolution, aligning them with underground trends that favor atmosphere and structural complexity without entirely discarding the aggression that defines traditional death metal.

Their use of dense, syncopated riffing and cold tonal palettes draws a conceptual bridge between Poland’s legacy of bleak musical extremity and the precise execution associated with North American technical death metal. Reviewers have noted this duality, drawing comparisons to both European avant-garde titans like Ulcerate and Deathspell Omega, and the controlled chaos of United States of America acts such as Dying Fetus and Archspire. Yet, Supreme Void’s approach remains distinct, guided less by speed than by weight, tension, and measured dissonance.

While the band does not radically reinvent the genre’s architecture, its particular refinement of technique and attention to production have earned it recognition as one of Dolorem Records’ more notable 2025 releases. The group’s own promotional language describes the album as “a raw and innovative musical force that shakes the boundaries of death metal,” a claim that, while assertive, finds support in the album’s detailed construction and compositional consistency. Rather than aiming for novelty through genre fusion or overt experimentation, Supreme Void contributes to the genre’s forward motion through subtle recalibration—tightening rhythm structures, expanding the emotional range of dissonance, and refusing ornamentation in favor of focused execution.

In critical circles, ‘Towards Oblivion’ has been described as a less elaborate counterpart to Black Crown Initiate, with Ulcerate’s shadow unmistakably present. For listeners familiar with the brutal intricacies of Wormed or the methodical density of Decrepit Birth, Supreme Void offers an experience grounded in familiar territory but filtered through a uniquely Polish sensibility—less concerned with theatricality and more committed to precision, discipline, and an abiding sense of sonic menace.

Formats, Distribution and Upcoming Plans

‘Towards Oblivion’ is currently available worldwide in both digital and physical formats, distributed through Dolorem Records. The album can be streamed on major platforms such as Spotify and Apple Music, while the band’s official Bandcamp page offers high-resolution downloads for audiophiles seeking uncompromised fidelity. Dolorem Records also lists a jewel-case CD edition priced at $10.90, bundled with a digital download, targeting collectors and dedicated fans.

As of May 2025, no vinyl pressing has been announced, a notable absence given the resurgence of vinyl among extreme metal listeners. Still, the album is prominently featured among Dolorem’s growing catalog, which includes twenty-seven releases to date, and sits alongside Supreme Void’s prior EP, ‘End Of Games,’ under the same label.

Though the band has yet to embark on a formal tour, the release cycle for ‘Towards Oblivion’ was marked by a steady digital campaign. Beginning months in advance, Supreme Void issued teaser videos and singles through Dolorem’s social channels, including a premiere on No Clean Singing and coordinated posts across platforms. These efforts helped establish a digital footprint and set the stage for the album’s broader reception. Live appearances remain unannounced, and no major festival bookings have been confirmed. However, interviews and early coverage in niche metal publications such as DeadlyStormZine suggest an active media presence that may translate into future touring engagements, particularly in Poland and Central Europe. For now, the band relies on grassroots momentum and sustained interest within the extreme metal circuit, where recommendations and online visibility can serve as powerful substitutes for traditional promotional infrastructure.

Conclusion

With ‘Towards Oblivion,’ Supreme Void has not only staked its claim within the ranks of contemporary technical death metal but also contributed a focused, uncompromising work that resonates beyond its immediate niche. The album’s calculated brutality, stark atmosphere, and refusal to dilute its vision suggest a band operating with clear intent and a deep awareness of its lineage. As Poland’s presence in extreme metal continues to grow, Supreme Void’s emergence offers a compelling chapter in that broader narrative.

What are your thoughts on ;Towards Oblivion; and Supreme Void’s place in today’s metal scene? Share your impressions, comparisons, or critiques in the comments below.