Author: Alex de Borba
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Damned Soul Fest IV: Blood Red Throne Headlines Epic Heavy Metal Event
Damned Soul Fest IV is the first metal event of the year, headlined by Norwegians Blood Red Throne, which promises…
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Witchcraft Acts Through History, and Christian’s Hideous Murders
This month’s edition examines the impacts of the Witchcraft Acts through history on how witches were identified, prosecuted, and executed…
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The Year of Fearless Cultural Education and Other Horrors
Although celebrating the past ten successful years were at the forefront last year, thinking about the next decade is already…
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Frankenfiction: Blending Horror Classics with Modern Monstrosity
Analyzing Frankenfiction as a hybrid genre at the nexus of adaptation, remix, and appropriation, offering new perspectives on literary creativity…
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‘Witchfinder General’: From Historical Novel to “Horror” Film
One of the developments in the representation of witchcraft at the end of the twentieth-century is that the portrayal of…
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Apocalyptic and the Gothic Aftermath Through Victorian Times
Victorian culture is often lampooned for its obstinate, reckless progressivism, its racist insistence on the benignity of Western culture, but…
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Witchcraft’s Origins in Shamanism, Wiccan, and the Cults
First, we must look at the true origins of witchcraft, those hidden in the mists of time. This is a…
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Introduction to the Pleasures of Horror and the Joy of Misery
This article investigates the allure of narrative genres, such as horror, that have historically been viewed as philosophically problematic owing…
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Settling Australian and New Zealand Horror Movies on the Map
This Australasian horror editorial is an important step forward in putting Australian and New Zealand horror movies on the map…
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The Study of Art Historiography as an Academic Discipline
This month’s editorial shares some light on our expansion as an Open Access medium, giving some insights regarding the recent…
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The Rise of Obscene Public Anatomy in Victorian London
Dr Joseph Kahn’s Anatomical and Pathological Museum was the nineteenth-century’s best-known and most visited public museum of anatomy.










