The Cultural Experience of Contemporary Horror Cinema

The Cultural Experience of Contemporary Horror Cinema

As a popular form, its pervasiveness has seen it succeed as a modern series of blockbusters (‘The Mummy’ [1999– 2008], and ‘Hellboy’ [2004–2008] films), independent breakthroughs (‘The Blair Witch Project’ [1999], and ‘The Sixth Sense’ [1999]), films for children and young adults (‘Coraline’ [2009], and ‘Twilight’ [2008]), and innovative international arthouse releases (‘El labertino del fauno’ [‘Pan’s Labyrinth’, 2006], and ‘Låt den rätte komma in’ [‘Let the Right One In’, 2008]).

Rites and Rituals and Allegories of the Tales of the Undead

Rites and Rituals and Allegories of the Tales of the Undead

In reassessing the cultural and political consciousness of Cundieff’s art, we may be tempted to rename the film’ Tales of the Undead’ because of the narrative intimacy Cundieff uses to reclaim the past — a past that is haunted, as Toni Morrison states elsewhere, by “signs, visitations, and ways of knowing that [encompass] more than concrete reality” (McKay 1983, 414).

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