Reviews
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Herejía: ‘In Nomine Obscuritatis,’ a Symphonic Requiem for the Departed
The Colombian institution Herejía rises from tragedy’s shadow to unveil a monumental act of necromancy. Titled ‘In Nomine Obscuritatis,’ this…
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Sun of the Dying: ‘A Throne of Ashes’ Ignites Earth’s Silent Roar of Retribution
A profound metamorphosis occurs when the mourner lays down their wreath and picks up a torch. Moving beyond passive nature-worship,…
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Katatonia: On ‘Nightmares as Extensions of the Waking State,’ a Singular Vision
On their first album as a singular creative entity, Katatonia and sole founder Jonas Renkse confront the ghosts of their…
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Heartlay: A Brutal Archaeology of the Self on ‘The Alteration’
On their new album, French industrial act Heartlay moves beyond genre performance, engaging in a raw, archaeological deconstruction of the…
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Cradle of Filth: ‘The Screaming of the Valkyries’ and the Art of Apocalyptic Escapism
Cradle of Filth’s fourteenth album, ‘The Screaming of the Valkyries,’ is a late-career triumph. A potent blend of their signature…
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Fleshgod Apocalypse: On ‘Opera,’ a Brush With Death Becomes a Masterpiece of Metal
Italian extreme metal band Fleshgod Apocalypse transforms personal trauma into artistic triumph on ‘Opera,’ their sixth studio album. Following frontman…
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‘Frankenstein’: Guillermo del Toro’s Obsession, Stitched With Grandeur
Guillermo del Toro, has offered his own interpretation of Mary Shelley’s classic. The result is not merely another adaptation but…
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‘Nosferatu’: A Haunting Tribute That Privileges Atmosphere Over Emotion
Robert Eggers’ ‘Nosferatu’ is a brooding, meticulously crafted homage that favors mood over momentum. While visually arresting and steeped in…
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Behemoth Featured on the Cover of Extreme Metal Magazine, Zero Tolerance
Behemoth is a pioneering force in the blackened death metal scene, led by mastermind Nergal and comprised of Orion, Inferno,…
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‘White Zombie’ Review
The fact that ‘White Zombie’ looks and sounds so good is all the more commendable since it was an independent…
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‘Vampyr, Der Traum des Allan Grey’ Review
Carl Theodor Dreyer’s ‘Vampyr’ could never beat ‘Dracula’ at the box office, but in point of fact, it gives us…
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‘Witchcraft Through the Ages’ (‘Häxan’) Review
Benjamin Christensen’s ‘Witchcraft Through the Ages’ is perhaps the most striking example of a movie ahead of its time
