Motions
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The New Extremism in Contemporary French Cinema
In keeping with the momentum of most new extremist narratives, the French cinema offers a way of exposition to maximize…
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When the Greatest Viking History and Myth Intermingle
This article concentrates on the History Channel’s contemporary television series entitled ‘Vikings’.
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Female Youth Transgression In 1980s Slasher Horror
Horror films as a genre typically have been excluded from discussions of film, often dismissed with contempt by the majority…
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Violent Women and the Sadism in Slasher Films
For the past seven years, the slasher film (alternatively called the “Woman in Danger Film”) has performed exceptionally well at…
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Hammer Film Productions Prestige in the Early 1960s
Although 1960s horror was supposedly dominated by Hammer Film Productions, prestige horror films had their very own problems to negotiate.
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Hannibal Lecter, The Number One Villain of All Time
The public exhibits an insatiable appetite for crime, especially for serial murder, but only remains our favourite: Dr Hannibal Lecter.
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Creighton Tull Chaney Victim of a Diabolical Experiment
In many movies, domination of others often drove their victims into madness, or into a psychological domination and the figure…
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Universal Monsters’ Transition: Gothic to Commercial
Universal’s monsters once exemplified gothic horror storytelling. After the transition to commercialism they now represent a doomed film franchise.
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Illustrative Nightmares And The Caught Horror Beings
Fantastic beings of the horror film, do indeed, correlate with nightmares and repulsive materials, but do not entirely claim that…
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Colombia’s ‘El Fin’ Debuts At The Smart Film Festival
As part of Smart Films 2017 program, the short film ‘El Fin’ will premiere at Teatro Cafam de Bellas Artes…
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Vlad, The Impaler’s Sensualistic Vampiric Concubines
An exploration of portrayals of female representation within vampiric film narratives and any linear developments within cultural attitudes.