Hocico: Electro-Industrial Ferocity Culminates in a Dystopian Reflection with ‘The Screen’

On March 5, 2025, the Mexican electro-industrial duo Hocico released their latest single, ‘The Screen,’ as part of a four-track EP of the same name. This new release offers a scathing critique of modern society’s darker facets, particularly highlighting the cruelty and cowardice that flourish behind the anonymity of digital screens.

The ‘The Screen’ EP comprises four tracks that collectively explore the darker aspects of modern digital interactions, maintaining Hocico’s signature aggressive electronic style. The title track addresses the pervasive issue of online anonymity, critiquing how digital platforms can foster negative behaviors.

With over three decades in the electro-industrial scene, Hocico remains a formidable force, continually addressing contemporary issues through their music. The release of ‘The Screen’ EP highlights their devotion to evolving artistically while engaging critically with the complexities of modern society.

Rooted in Mexico, Heard Worldwide

​In 1993, amidst the vibrant cultural tapestry of Mexico City, cousins Erik Garcia and Oscar Mayorga channeled their shared passion for electronic music into the formation of Hocico. Adopting the monikers Erk Aicrag and Racso Agroyam, respectively, they embarked on a journey that would see them become pivotal figures in the electro-industrial genre.

Their musical odyssey began earlier, in 1989, with the project Niñera Degenerada. This initial endeavor, characterized by experimental sounds crafted with rudimentary equipment—including portasound keyboards and homemade distortion devices—served as a formative period for the duo. Despite its raw and unrefined nature, Niñera Degenerada laid the groundwork for their future artistic direction.

By 1992, seeking a more defined musical identity, they transitioned to Hocico de Perro. This iteration allowed them to refine their sound and conceptual approach, setting the stage for the emergence of Hocico in 1993. The name “Hocico,” translating to “snout” or “muzzle” in Spanish, carries a colloquial connotation akin to “shut your mouth,” reflecting the band’s confrontational and rebellious ethos.

In their nascent years, Hocico produced a series of cassette demos—‘Misuse, Abuse And Accident’ (1994), ‘Autoagresión Persistente’ (1995), and ‘Triste Desprecio’ (1996). These early works showcased their evolving style and thematic focus, gradually building a dedicated following within Mexico’s underground electronic scene.

The duo’s relentless experimentation and commitment to their craft culminated in the release of their debut full-length album, ‘Odio Bajo El Alma,’ in 1997. This pivotal record not only solidified their presence in the electro-industrial landscape but also marked the beginning of their enduring influence on the genre.

Hocico’s Sonic Blueprint

​Hocico’s musical oeuvre is distinguished by its aggressive and dark electronic style, positioning them prominently within the electro-industrial and aggrotech genres. Their compositions are characterized by relentless electronic beats, haunting melodies, and Erk Aicrag’s distorted vocals, culminating in an intense and energetic auditory experience.

Thematically, their lyrics, delivered in both Spanish and English, delve into subjects such as hate, violence, and societal decay, often reflecting the harsh realities of their environment. This dual-language approach allows them to connect with a broader audience while maintaining a profound link to their cultural roots.

Influently, Hocico draws inspiration from a diverse array of musical acts. Their sound is shaped by industrial and electronic pioneers like Skinny Puppy, Leæther Strip, Pouppée Fabrikk, Ministry, Cat Rapes Dog, and Depeche Mode. Additionally, the raw energy of punk bands such as Suicidal Tendencies and Dead Kennedys has significantly impacted their artistic direction. This eclectic blend of influences has enabled Hocico to craft a unique and resonant sound within the electro-industrial landscape.

Catalog of Resistance

​Hocico’s discography and career milestones reflect their enduring influence in the electro-industrial genre. Their debut album, ‘Odio Bajo El Alma’ (1997), marked a significant entry into the scene, garnering attention across Europe and America.

Building on this foundation, the duo released ‘Sangre Hirviente’ in 1999, which reached number 19 on the CMJ RPM Charts in the United States of America. They continued to evolve their sound with subsequent albums such as ‘Signos de Aberración’ (2002), ‘Wrack and Ruin’ (2004), ‘Memorias Atrás’ (2008), ‘Tiempos de Furia’ (2010), ‘El Último Minuto’ (2012), ‘Ofensor’ (2015), and ‘Artificial Extinction’ (2019).

In 2022, Hocico released ‘Hyperviolent,’ showcasing their continued evolution within the genre. This was followed by singles such as ‘A Symphony Of Rage’ (2023) and ‘Fallen Paradise’ (2024), reflecting their ongoing relevance and adaptability in the electro-industrial scene.

Throughout their career, Hocico has maintained a dynamic presence, consistently producing influential works that resonate with audiences worldwide.

Unmasking ‘The Screen’: A Brutal EP for a Brutal Age

Hocico’s EP ‘The Screen,’ released on March 5, 2025, offers a searing indictment of the darker undercurrents of online behavior. Across its four tracks—’The Screen,’ ‘Fallen Paradise,’ ‘Twisted Promises,’ and ‘A Symphony of Rage’—the Mexican duo delivers a visceral soundscape rooted in their signature aggressive electronic style, while lyrically targeting the dehumanizing effects of digital anonymity. In the title track, frontman Erk Aicrag confronts virtual hostility with biting clarity: “You spit your filth, while you’re unseen” and “Your boldness dies when we’re eye to eye.”

The EP has drawn attention for its immediacy and relevance, capturing a cultural moment defined by technological alienation and online toxicity. It reinforces Hocico’s standing not only as veterans of the electro-industrial movement but as artists unafraid to evolve thematically. Though no full-length album has yet been announced, ‘The Screen’ suggests that new material may be imminent, continuing the band’s tradition of coupling sonic ferocity with pointed social commentary.

Supporting the release, Hocico will return to the stage with performances across Germany, including Turbinenhalle in Oberhausen on March 22 and two consecutive nights at Berlin’s Astra Kulturhaus on May 8 and 9 during the Out of Line Weekender festival. These appearances underscore the duo’s enduring international presence and their continued resonance with both longtime devotees and newer listeners navigating the digital dissonance they so unflinchingly depict.

Conclusion

​Over the past three decades, Hocico has established itself as a formidable force in the electro-industrial scene. The Mexican duo’s relentless exploration of dark electronic soundscapes and unflinching examination of societal issues have cemented their status as influential pioneers. Their enduring commitment to addressing contemporary themes through their music ensures that Hocico remains both relevant and resonant with audiences worldwide.