Kllsignl: Emerging Artist Debuts with ‘Wendigo’ via Out of Line Music’s Genre-Focused Roster

The German project Kllsignl released its debut single and accompanying video, ‘Wendigo,’ on May 8, 2025, through Berlin-based Out of Line Music. The launch coincided with the artist’s first scheduled live appearance at the Out of Line Weekender in Berlin, drawing early attention from both industrial and electronic music audiences. This coordinated rollout positioned the project within a culturally active segment of the genre’s community, facilitating immediate visibility across digital and live contexts.

Kllsignl is the solo project of a yet-unidentified artist who fuses elements of industrial, trap, phonk, and cyberpunk into a raw and electronically charged aesthetic. Developed as a platform for a specific and personal sound direction, the project’s arrival through a label with a long-standing presence in alternative electronic music affords it immediate visibility. The release of ‘Wendigo’ not only introduces a new name into the genre but also represents a curated effort from Out of Line Music to promote new artistic voices within its catalogue.

The video accompanying the single was released simultaneously on Out of Line Music’s YouTube channel, expanding access beyond audio platforms and presenting the project through a visual format consistent with the label’s distribution model. While audience data and broader reception continue to develop, the pairing of a digital rollout with a scheduled live appearance reflects an intentional release strategy. Together, these elements frame ‘Wendigo’ as a structured introduction to an artist engaging with a genre where visual presentation and performance play a prominent role.

Artistic Profile: The Man Behind Kllsignl

Kllsignl entered public view with its debut single released through Berlin-based Out of Line Music. Issued in tandem with the artist’s debut live performance at the Out of Line Weekender on May 9, the single arrives at a moment of concentrated visibility, coinciding with a key event for the industrial and dark electro communities. This coordinated timing, alongside support from an established independent label, positions ‘Wendigo’ as a carefully structured debut intended to reach a targeted audience both online and in person.

Operating anonymously, the artist behind Kllsignl directs the project through a distinctly individual approach grounded in Germany’s dark electronic scene. According to available public commentary, the project was conceived to explore a sound rooted in industrial aggression while integrating influences drawn from trap, phonk, and cyberpunk aesthetics. The artist’s prior musical background remains undisclosed; however, the deliberate anonymity and stylistic choices suggest a focus on sonic identity over personal branding. Kllsignl’s self-description frames the project as a vehicle for confronting psychological and emotional extremes through dense, beat-driven electronic production.

Out of Line Music’s involvement provides a notable platform for this debut. Known for cultivating a range of electronic and industrial artists, the label has historically played a central role in promoting emerging acts across Europe and beyond. The label’s coordination of the single’s release alongside the Weekender event reflects logistical and editorial support designed to increase visibility for the project. The alignment between artist and label reflects a shared interest in dark electronic music with hybrid influences, situating Kllsignl within a broader network of acts navigating adjacent genres.

The ‘Wendigo’ Music Video

Kllsignl’s debut single ‘Wendigo,’ was introduced across digital platforms alongside an official music video published on the label’s YouTube channel. This coordinated release was timed with the project’s first scheduled live appearance during the Out of Line Weekender in Berlin, aligning visual presentation, audio distribution, and public performance within a unified launch strategy. The approach provided the project with immediate exposure in a space attuned to dark electronic and industrial subgenres.

The track itself is built around abrasive textures and rhythmic patterns informed by phonk, trap, and cyberpunk, blending programmed aggression with elements drawn from contemporary underground electronic production. In a public statement, the artist described the Wendigo figure as “a twisted creature that does not just haunt you, but becomes a part of you,” situating the project’s concept in psychological terms. This emphasis is reflected in the track’s structure, which favors repetition and tension over linear melodic development, reinforcing a mood-centric design.

Visually, the music video presents a minimal, stylized composition grounded in confined, dimly lit settings and stark tones. The absence of narrative or character progression directs focus toward rhythmically edited imagery that mirrors the audio’s pacing. Disorienting camera angles and sharp visual contrasts evoke a sense of internal unease rather than external storytelling. Early audience engagement, while modest in volume as of May 13, 2025, has centered on the cohesion between the video’s execution and the project’s broader aesthetic. Out of Line Music’s publication of the video through its branded content stream situates Kllsignl within a curated editorial framework consistent with the label’s established distribution practices.

Label Collaboration: Out of Line Music’s Role

‘Wendigo’ launched as Kllsignl’s first release under Berlin’s Out of Line Music, signaling the label’s continued investment in dark electro and industrial-rooted acts. The release coincides with increased editorial activity from the Berlin-based label around emerging artists, particularly those producing hybrid electronic work with underground appeal. Framed as a direct introduction to the project’s sound, the release stands as both a curated output and a strategic entry into a tightly defined audience segment.

Out of Line Music’s involvement reflects its long-standing role in shaping access and exposure for electronic projects grounded in industrial, EBM, and adjacent genres. The label’s catalog includes established names such as Combichrist and Hocico, and its operational model emphasizes curated visibility within subcultural music circuits. By including ‘Wendigo’ in its regular release slate, the label introduces Kllsignl through established promotional infrastructure without overstating the project’s positioning. This approach is consistent with the label’s broader strategy of developing genre-adjacent acts through phased public engagement.

Live Debut: Out of Line Weekender Performance

Kllsignl made its live debut on May 9, 2025, during the Out of Line Weekender: Dark’n’Electro Edition, held at ASTRA Kulturhaus in Berlin. Hosted by Out of Line Music, the three-day event (May 8–10) featured a curated lineup of both established and emerging acts in industrial, EBM, darkwave, and related electronic genres. Headlined by Covenant and Hocico, with additional performances by Linea Aspera, Solitary Experiments, Leæther Strip, and others, the festival served as a significant platform for genre-specific exposure. Within this concentrated setting, Kllsignl’s inclusion placed the project in direct conversation with acts that have defined and sustained the scene over decades.

Kllsignl’s set was scheduled for the second day of the festival and introduced the project to a live audience for the first time. The performance adhered closely to the sonic and visual framing established by the single ‘Wendigo,’ maintaining the artist’s anonymous presentation and avoiding direct audience engagement. Visually minimal and deliberately dark, the set utilized projected lighting and shadow to obscure the artist’s identity while emphasizing the track’s rhythmic intensity. The structure of the set—reliant on dense sequencing and non-verbal transitions—was consistent with the aesthetic standards of the event and the broader Out of Line Music catalog.

Although formal press reviews were limited, attendee reactions shared across social platforms indicated a general recognition of the project’s stylistic coherence and alignment with genre expectations. While the performance was not positioned as a headliner, its placement within a densely programmed day of acts provided valuable exposure to a receptive audience base. Observers noted the emphasis on atmosphere and tone rather than showmanship, identifying Kllsignl as a project that privileges sonic construction over performative presence.

Out of Line Music’s decision to feature Kllsignl in its flagship festival reflects the label’s ongoing approach to developing and testing new artists within curated live environments. The Weekender format functions not only as a showcase but as a strategic evaluation space, offering real-time audience engagement in a context that merges performance and label identity. For Kllsignl—an act with no prior touring history—this platform served as a first point of validation. The controlled scale, targeted demographic, and alignment with legacy acts provided institutional credibility while allowing the artist to engage directly with listeners aligned to the label’s editorial focus.

Conclusion

With the release of ‘Wendigo’, Kllsignl enters the public domain as a genre-aligned project with structural backing and clear editorial direction. While the artist remains unnamed and operates without a public performance history prior to the Out of Line Weekender, the project’s initial rollout demonstrates a controlled, label-supported debut designed to build recognition within defined parameters. The track’s alignment with industrial subgenres and its deployment across targeted channels have placed it within the reach of listeners already familiar with the broader stylistic territory.

The integration of visual design, structured release, and live performance reflects a deliberate first step into a genre-defined field. Kllsignl’s anonymity has not impeded early reception; on the contrary, it situates the project within a lineage of acts that prioritize concept and execution over individual visibility. By aligning with operational conventions established by Out of Line Music across its roster, the project benefits from a curated introduction to its target audience.

As of mid-May 2025, further activity from the artist—whether in the form of follow-up material, expanded live appearances, or public statements—remains to be seen. However, the foundational structure now in place suggests that Kllsignl’s introduction was neither incidental nor improvised. It stands as a case study in label-curated visibility, demonstrating how new projects can be effectively launched when artistic intent and editorial strategy are closely aligned.

As reception continues to take shape across live settings and digital formats, the single serves as both a test of format and a reflection of editorial continuity within Out of Line Music’s catalog. Readers with past experiences of the artist’s performances or impressions of ‘Wendigo’ are invited to contribute to the ongoing record of how such introductions are received and remembered within the wider community.