European festivals are a maelstrom set to upheaval although there is a slight minority that opted to be hackneyed, which consequently oxygenated an oddity that needs a changeover in the scenery. French, Clisson based Hellfest Open Air Festival remains uncompromised throughout a decade of gyroscopic craves, ingeniously avoiding to be retrogressive.

Relationships are made upon mutual respect and longevity, and throughout the years of our existence in the musical field as humble but devoted journalists, we have frequently elevated and in magnificent occasions, reported live events directly from infamous International festivals. Amid the wide range of wicked festivals, Czech Republic Brutal Assault Festival always had a particular place amongst us, not simply due to its notorious success but also its vivid persistence to continuously develop.

Colombia certainly has a major tendency to gift metal fans with randomly selected musical numbers throughout the year, and such satirical attempt to delight them all has failed more often than it should. Still, the collective effort to generate revenue fails due to the duplication of such events, or namely, the bands chosen to perform. On certain occasions, International bands play twice in the same year, if not for a third time in a row. Apparently, promoters are limited in which regards to the bands they are willing present to the general public, and this evidence transpires quickly when we talk about the oversaturated Festival Del Diablo, the more I feel invited to concentrate my attention solely in the headliners, Carcass.