United States of America
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Vault Comics’ ‘Excommunicated’ Puts Theology at the Root
‘Excommunicated’ #1 opens Jeremy Robinson’s supernatural horror series at Vault Comics, casting out a nun and a demon that neither…
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Image Comics’ ‘Odin’ #1 Plunges Into Norse Folk Horror
With all nine scripts complete before publication, ‘Odin’ #1 opens a nine-issue folk horror series that treats Norse mythology as…
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‘Passenger’ Puts Øvredal’s Road Demon Into Theaters
The road that refuses to let you leave is one of horror cinema’s most durable premises. From Steven Spielberg’s ‘Duel’…
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Nadezda’s ‘Hopscotch’ Holds More Than the Play Admits
At Modern Eden Gallery in San Francisco, Nadezda’s ‘Hopscotch’ is a mini-collection testing whether spontaneity and psychological precision can coexist.
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ParaPsyCon Se7en and the Prison That Refuses to Release
Seven consecutive years inside the Ohio State Reformatory have made ParaPsyCon the paranormal convention circuit’s most coherent sustained experiment.
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The Museum Receives Carrington, Hammershøi, and Meatyard
Three exhibitions in Paris, Madrid, and Atlanta reframe darkness — surrealist, symbolist, and American vernacular — as institutional inheritance.
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Gothic Performance and the Historic Cemetery’s Return to the Living
From Brooklyn’s catacomb stages to London’s Victorian courtyards, documented practitioners are returning the cemetery to its original function as a…
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‘Lee Cronin’s The Mummy’ and the Myth It Left Buried
The mummy franchise has survived Boris Karloff, Brendan Fraser, and Tom Cruise. It has not, in Lee Cronin’s hands, survived…
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‘Cthulhu: The Cosmic Abyss’ Demands the Mythos Prove Itself
Big Bad Wolf’s first-person Lovecraftian thriller opens its demo on Steam five days before an April 16, 2026 release on…
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‘Faces of Death’ Remakes Mondo Myth for the Algorithm Age
Daniel Goldhaber and Isa Mazzei reroute the 1978 mondo cult object through a content moderator’s screen in a slasher film…
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When the Page Goes Dark in ‘Uri Tupka and the Devils’
Mike Mignola’s third ‘Lands Unknown’ graphic novel arrives November, sending a heretic theologian into a castle of devils to discover…
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Fleshgod Apocalypse Rules San Antonio’s Aztec Theatre in April
Inside San Antonio’s 1926 Aztec Theatre, Fleshgod Apocalypse stage an encounter between Italian baroque excess and American death metal certainty.
