Death Metal
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Soulburn Weigh Extinction on ‘Quantifying Cosmic Doom’
The Dutch death-doom band returns on Testimony Records with a fifth album that exchanges visceral horror for deep galactic time…
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Paradise Lost Remaster the Album That Named ‘Gothic’ Doom
Thirty-five years after ‘Gothic’ gave gothic doom its name, Peaceville returns the record remastered — by an engineer born in…
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Behemoth Carve Their Name Again on ‘I, Scvlptor’
Behemoth return September 4th on Massacre Records, their Gdańsk blackened death forged anew — eight unreleased tracks that look both…
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Pestilence Always Pulls the Cover, Never the Position
Pestilence has cancelled four covers across eight years — one plagiarized, three AI-generated — and publicly defended each original decision.
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Arch Enemy’s Answer to Every Rights Challenge Is Escalation
Three documented incidents across seventeen years establish a management philosophy that has governed Arch Enemy’s response to every rights challenge…
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Fleshgod Apocalypse Rules San Antonio’s Aztec Theatre in April
Inside San Antonio’s 1926 Aztec Theatre, Fleshgod Apocalypse stage an encounter between Italian baroque excess and American death metal certainty.
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Cries of Blood Brought Colombia’s Blackened Tradition North
Cries of Blood took 14 years to arrive at their debut full-length. The result proves that the wait was compositional,…
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Vital Chaos Return to Auditorio Zea Mays in Chía This April
Chía’s own progressive death metal voice returns on April 25, filling the Auditorio Zea Mays with a sound that belongs…
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Tears of Misery Hold Court at Bogotá’s Relevent Hall in May
On May 9, Bogotá’s own death metal voices gather at Relevent Music Hall for a night that belongs entirely to…
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Old Man’s Child and Hecate Enthroned Claim Bogotá’s Teatro Royal Center in September
On September 20, two European black metal institutions arrive on Colombian soil for the first time, at the Teatro Royal…
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Beyond Creation at Bogotá’s Relevent Music Hall This April
The Montréal technical death metal quartet performs ‘The Aura’ in full at Relevent Music Hall, Bogotá, on April 20 for…
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On ‘The Ghost of a Future Dead,’ At The Gates Confronts Human Mortality
Facing a terminal diagnosis, frontman Tomas Lindberg recorded one final, defiant work that cements his profound influence on the heavy…











