Death Metal
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Amorphis Heeds Bogotá at Auditorio CEG This October
Relocated to Auditorio CEG, the Finnish band plays its fourth Bogotá night on October 9th with a stand-in bassist and…
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Left to Die Returns to Medellín’s Green Club in September
Death alumni Rick Rozz and Terry Butler return to Medellín’s Green Club on September 24th, reviving the genre’s earliest demos…
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Grimner Reinscribes Its Own Runes on ‘Stormvingar’
Grimner reinscribes a 2012 song into ‘Stormvingar,’ pairing a returning singer with Swedish folk metal reaching beyond Scandinavia.
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Masacre Opens for Bloodbath, NervoChaos at Lourdes Hall
Sweden’s death metal veterans debut in Colombia alongside Brazil’s NervoChaos, opened by Masacre, at Bogotá’s Lourdes Music Hall.
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Self-Deceiver Exchanges the River Styx for ‘Nihil’
Bogotá’s Self-Deceiver follows 2022’s ‘Across the Styx’ with ‘Nihil,’ a record that opens on the Norse god Baldr’s fatal dream.
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Neurosis Joins Bogothrash at Bogotá’s Ozzy Company
Neurosis headlines the opening round of Bogothrash Sessions, reactivating its 1995 record while six unsigned Bogotá acts compete for a…
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On ‘Maanaääri,’ Noumena Reckons with Finland’s Great Wrath
Noumena’s seventh album sets Finland’s Great Wrath to melody, testing what a specific national wound demands of a genre built…
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Shabti Send Servants on ‘Haze, Cacophony, and White Light’
A Portland trio, settled after nearly two decades of lineup change, turns an Egyptian funerary practice into a warning about…
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Unified Confront a ‘Devouring Plague of Mediocrity’
A Bogotá band formed in 2024 answers the city’s brutal death metal inheritance with a debut about ritual, fear and…
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Zyklon and the Machine Inside Norwegian Black Metal
Zyklon lasted three albums and nine years, and converted exhausted black metal vocabulary into merciless striking warfare.
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Beyond the Gates Returns to Bergen for Its 14th Chapter
USF Verftet, Grieghallen, and Kulturhuset carry four days of black, death, and doom metal as Bergen’s scene meets international extremity.
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Viande Carve France’s War Dead Into ‘Monument aux Morts’
Chambéry quartet’s second album turns France’s post-war memorial tradition into blackened death metal that reaches listeners far beyond Savoie.
