Mork’s ‘Dypet’ is a Fresh, Frosty Descent into Nordic Black Metal Release

Alex de Borba

Alex de Borba

Mork, the Norwegian defenders of the black metal faith, have recently released their new opus. The band’s sixth album, ‘Dypet,’ was released on Peaceville Records on March 24th. ‘Dypet’ is undoubtedly another icy blast of frost-bitten riffs and harsh vocal melodies, emanating from the brilliant mind of Thomas Eriksen. While Mork has always challenged and progressed, at its core, it remains true to its ice-cold Nordic black metal roots.

‘Dypet’ delivers yet another glacial onslaught of frost-bitten riffs and abrasive vocal melodies, which emanate from the prodigious mind of Thomas Eriksen. Though Mork has consistently demonstrated a willingness to challenge and progress their sound, the band’s essence remains deeply rooted in ice-cold Nordic black metal. This unyielding adherence to the genre’s core principles ensures that Mork remains a formidable force in the ever-evolving landscape of black metal, providing fans with an authentic and unadulterated listening experience.

Eriksen, in discussing the creative process behind ‘Dypet,’ conveys immense pride and dedication to his craft: “It is with great pride that I am able to present and experience the release of my sixth full-length album. I put every single drop of myself into the process of shaping Mork’s music. Perhaps even more so with this new album.”

The title, which translates to “The Deep,” alludes to the notion of something from the depths being brought to the surface. Eriksen reveals that ‘Dypet’ was inspired by his life experiences over the last couple of years, encompassing thoughts, emotions, passion, and the evolving creative free will. He invites listeners to “dive in and let yourself sink into the abyss.”

Adding to the album’s intrigue, ‘Dypet’ will feature a special guest appearance by Hjelvik, the former vocalist of fellow Nordic legends Kverlertak. This collaboration further solidifies Mork’s status as a prominent force in the black metal scene. Additionally, the album marks the third collaboration between Mork and artist David Thiérrée, whose evocative artwork has become just as synonymous with Mork’s sound. Thiérrée’s visual contributions serve as a complementary extension of the band’s music, encapsulating the aesthetic and thematic essence of Mork’s black metal vision.

Mork was conceived in the verdant landscapes of Halden, Norway, in 2004 by the multi-talented musician Thomas Eriksen. Initially, Eriksen’s aspirations were modest as he envisioned Mork as a solo endeavor, a project through which he could channel his profound affinity for black metal. However, as the project flourished, Mork eventually evolved into a full-fledged band, amassing a fervent following that transcended geographical boundaries.

At the crux of Mork’s ideology lies an unwavering dedication to the preservation and proliferation of traditional black metal. Mork’s artistic vision is deeply rooted in the genre’s seminal years, drawing inspiration from the enigmatic aesthetics, raw production values, and lyrical themes that pervaded the works of pioneering bands such as Darkthrone, Mayhem, and Burzum. By interweaving elements of darkness, misanthropy, and introspection, Mork’s oeuvre encapsulates the very essence of black metal, resonating with the genre’s aficionados.

To attain a deeper understanding of Mork’s artistic vision, it is essential to analyze specific elements of their music, lyrics, and visual aesthetics. For instance, the song ‘Morkent’ from their 2018 album ‘Den Vandrende Skygge’ showcases Mork’s mastery of blending atmospheric interludes with raw, unrelenting black metal aggression. The song’s intricate guitar work and relentless drumming evoke a sense of chaos and despair, while the lyrics touch upon themes of darkness, introspection, and existentialism, which are hallmarks of the black metal genre.

Comparing Mork to other bands within the black metal landscape can help contextualize their place in the broader musical sphere. For example, Mork’s 2017 album ‘Eremittens Dal’ bears similarities to the works of bands such as Emperor and Immortal, both of whom have also incorporated progressive and avant-garde elements into their music. However, Mork distinguishes itself through its unwavering commitment to the core tenets of traditional black metal, such as raw production values and an unapologetically misanthropic lyrical approach.

Mork has carved a distinctive niche within the genre’s landscape, offering a compelling blend of raw aggression, atmospheric intensity, and introspective themes. Led by the enigmatic Thomas Eriksen, Mork has amassed a formidable discography that pays homage to the genre’s roots while fearlessly exploring new sonic territory.

Mork’s self-released first foray into the realm of recorded music came in the form of ‘Isebakke,’ a debut demo that came out on October 11th, 2013, and that heralded the band’s emergence as a formidable creative force. Comprising four tracks, ‘Isebakke’ showcased Eriksen’s ability to weave intricate sonic tapestries imbued with raw emotion and unyielding aggression.

‘Isebakke’ received favorable reviews for its raw, unadulterated approach to black metal, which harkened back to the genre’s formative years. ‘Fortid og Fremtid,’ the band’s follow-up EP, was similarly praised for its intricate guitar work and atmospheric elements, which demonstrated a marked progression in Eriksen’s songwriting abilities.

Eriksen’s creative prowess reached new heights with the self-release of ‘Fortid og Fremtid,’ on November 20th, 2013, a seven-track EP that solidified Mork’s burgeoning reputation as an innovative black metal act. With its intricate guitar work and haunting atmospheric undertones, ‘Fortid og Fremtid’ served as a testament to Mork’s unwavering commitment to the genre’s core tenets.

Mork’s first full-length album, ‘I Sluket av Myra,’ released in 2016 through Aphelion Productions, was a veritable tour de force, offering listeners a visceral exploration of the band’s sonic capabilities. The album’s eight tracks were replete with searing riffs, atmospheric interludes, and impassioned vocal performances, earning it widespread acclaim among fans and critics alike.

With the release of their first full-length album, ‘I Sluket av Myra,’ Mork firmly established themselves as a force to be reckoned with in the black metal scene. Critics applauded the album’s searing riffs and emotional intensity, as well as its evocative exploration of themes such as darkness, misanthropy, and introspection. ‘Den Vandrende Skygge,’ the band’s sophomore effort, was similarly lauded for its polished production and refined compositional approach.

‘Den Vandrende Skygge,’ released on January 1st, 2018, this time through Peaceville Records, was a triumphant continuation of the band’s artistic evolution. Boasting a more polished production and a refined compositional approach, the album’s seven tracks exuded a sense of maturity and cohesion that captivated listeners and further solidified Mork’s status as a trailblazer in the realm of black metal.

‘Eremittens Dal,’ released on October 13, 2017, via Peaville Records, marked a watershed moment in Mork’s discography, as the band’s sonic palette expanded to incorporate a more diverse array of influences. The album’s ten tracks were characterized by a heightened sense of atmosphere and complexity, resulting in a captivating listening experience that struck a delicate balance between the band’s traditional black metal roots and their growing penchant for experimentation.

‘Eremittens Dal’ and ‘Det Svarte Juv’ marked a turning point in Mork’s discography, as the band began to incorporate a more diverse array of influences into their sonic range. Both albums received widespread acclaim for their innovative fusion of traditional black metal elements with progressive and avant-garde sensibilities, resulting in a captivating and emotionally resonant listening experience.

With ‘Det Svarte Juv,’ released on April 19th, 2019 through Peaceville Records, Mork delved deeper into the darkest recesses of their creative potential, crafting a record that was both haunting and mesmerizing. The album’s ten tracks traversed the spectrum of human emotion, offering a poignant exploration of themes such as despair, isolation, and existential dread. This magnum opus garnered widespread praise for its evocative lyricism, intricate musicianship, and unrelenting intensity.

‘Katedralen,’ released on March 5th, 2021, through Peaceville Records, showcased the band’s ability to reinvent themselves while remaining faithful to their artistic vision. The album was an audacious amalgamation of black metal’s raw ferocity and the grandiosity of progressive rock, culminating in an immersive and unforgettable listening experience. ‘Katedralen’ nine tracks stood as a testament to Mork’s unwavering dedication to pushing the boundaries of their craft, solidifying their status as one of the most innovative and revered acts in the black metal landscape.

‘Katedralen’ has been heralded as a triumph of artistic evolution, seamlessly blending the raw ferocity of black metal with the grandiosity of progressive rock. Critics have praised the album for its audacious and immersive approach, lauding it as a testament to Mork’s unwavering dedication to pushing the boundaries of their craft.

Throughout their storied career, Mork has consistently garnered praise for their ability to craft albums that are both innovative and deeply rooted in the tradition of black metal. Critics have lauded the band for their commitment to honoring the genre’s seminal influences, while simultaneously pushing the envelope in terms of compositional complexity and thematic exploration.

An exploration of the cultural and sociopolitical context in which Mork operates can offer valuable insights into the band’s significance within the black metal scene and the music industry at large. The emergence of Norwegian black metal in the early 1990s was marked by a spirit of rebellion and a desire to forge a distinctive national identity within the broader heavy metal genre. As a Norwegian black metal band, Mork embodies this ethos, preserving the essence of their country’s musical heritage while also engaging with broader themes that resonate with listeners around the world.

Mork’s music often delves into themes of spirituality and existentialism, reflecting a broader cultural fascination with the exploration of the self and the nature of existence. For instance, their 2021 album ‘Katedralen’ explores the concept of the “cathedral of the self” – a metaphorical space where individuals grapple with questions of identity, purpose, and the human condition. This introspective approach aligns with the philosophical underpinnings of black metal, which often seeks to confront the darker aspects of humanity and the world.

Moreover, Mork’s dedication to preserving the essence of traditional black metal can be seen as a response to the increasing commercialization and globalization of the genre. As black metal has gained popularity and entered the mainstream consciousness, many fans and musicians have expressed concerns about the erosion of the genre’s original ethos and aesthetic. By remaining steadfast in their commitment to the principles of traditional black metal, Mork serves as a bulwark against these forces, ensuring that the spirit of the genre remains alive and vibrant for future generations.

For those eager to immerse themselves in the forthcoming abyss that is ‘Dypet,’ preorders are now available here. The album will be offered in a variety of formats to cater to diverse preferences, including a CD (Digipak) version, a limited edition silver-colored vinyl LP in a heavy-duty gatefold sleeve, and a black LP similarly presented in a robust gatefold sleeve. This array of options ensures that fans of Mork can appreciate the latest installment in the band’s discography in their preferred format, further enhancing the immersive experience of delving into the depths of Mork’s evocative and uncompromising black metal soundscape.

Sepultura’s Farewell Tour to Take Place in the Heart of Colombia

Sepultura’s Farewell Tour to Take Place in the Heart of Colombia

Death Angel Celebrates 40 Years of Thrash in Colombia this April

Death Angel Celebrates 40 Years of Thrash in Colombia this April

Amorphis’s April Metal Journey Promises Special Night in Colombia

Amorphis’s April Metal Journey Promises Special Night in Colombia

Necrophobic’s Landmark April Debut in Colombia’s Metal Scene

Necrophobic’s Landmark April Debut in Colombia’s Metal Scene

Notify of
Inline Discussions
View all discussions



& Updated

Share to...